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Continue ShoppingYou know that moment when you're staring at a piece of sheet music, your duduk in hand, and you're doing frantic mental calculations trying to figure out if what you're looking at is actually playable? Or worse yet, you're a composer who wants to write for duduk but you're terrified of creating something that will make the duduk player want to throw their instrument across the room?
Yeah, I've been there. We've all been there.
In my early years playing duduk, I spent way too much time doing what I like to call "duduk math" – frantically trying to figure out which of my duduks would work best for a particular scale or piece. It was like being back in high school algebra, except instead of solving for X, I was solving for "which duduk won't make me sound like a dying goose."
Eventually, after years of trial and error (and probably a few goose-like moments), I developed an intuitive understanding of these relationships. But I realized that many of you are still stuck in that mental math phase, and honestly, it shouldn't be that hard.
The problem isn't just limited to players, either. I've worked with countless composers from around the world who are genuinely interested in writing for duduk but are completely intimidated by the instrument's quirks and limitations. They either write something embarrassingly simple (thinking we can only play three notes) or something impossibly complex (assuming we're magical beings who can play anything in any key).
So, I decided to do something about it. After all, why should we suffer through duduk math when we live in an age where my phone can tell me the traffic conditions three states away?
Combining my years of duduk experience with my background in product management, I've created two tools that I wish I'd had when I was starting out.
This is for those moments when you're holding your duduk and wondering, "Okay, what sounds good on this key?" Instead of randomly trying scales and hoping for the best, the Scale Explorer shows you exactly which scales work beautifully on your duduk, organized by difficulty level.
Select your duduk's key, and you'll see:
Beginner-Friendly scales that will make you sound good even if you're still figuring out which end to blow into. These are the scales that practically play themselves and sound gorgeous with minimal effort.
Intermediate Zone scales for when you've graduated from "please don't let me embarrass myself" to "I actually know what I'm doing most of the time."
Advanced Challenge scales that will test your skills and probably make your neighbors wonder what exotic bird has taken up residence in your practice room.
Master Only scales for those brave souls who have transcended normal human limitations and can make a duduk do things that shouldn't be physically possible.
Here's the key part: we've only included scales that are actually musically useful. You won't find theoretical oddities that sound like someone accidentally stepped on a cat. Every scale in there is something you'd genuinely want to play or compose with.
This is the reverse tool – the one that answers the eternal question: "I want to play in A major, so which duduk should I grab?"
Instead of grabbing random duduks and testing them (which, let's be honest, sometimes works but often leads to frustration), the Duduk Finder tells you instantly which duduk keys will handle your desired scale most comfortably. The results are ranked by ease of performance, so you can choose whether you want the path of least resistance or you're feeling masochistic and want a challenge.
This tool is perfect for:
These aren't just theoretical note charts that look pretty but ignore reality. Every recommendation is based on real-world playing experience – how the duduk actually behaves, which fingerings feel natural, and which scales flow smoothly versus those that feel like musical obstacle courses.
The tools are designed to be immediately useful for beginners (clear, simple recommendations) while providing enough depth for advanced players who want to understand the nuances of each choice.
Look, learning duduk is challenging enough without having to become a mathematician in the process. These tools are my attempt to remove some of the unnecessary friction from your musical journey. Whether you're composing, improvising, or just trying to figure out why that scale sounds so awkward on your A duduk, these tools are designed to give you quick, reliable answers.
For composers working with duduk players, these tools can help you write parts that showcase the instrument's strengths rather than highlighting its limitations. Your duduk player will thank you, and you'll get much better results.
This is just the beginning. I'm already working on additional features like exploring traditional Armenian modes, understanding the historical context of different tunings, and not only.
If you have ideas, feedback, or requests for future features, I'd love to hear from you. After all, these tools are only as good as they are useful to real musicians dealing with real musical challenges.
In the meantime, go explore, experiment, and most importantly, stop doing duduk math in your head. Leave the calculations to the computer and focus on making beautiful music.
Try the tools at tools.dudukhouse.com
Happy playing!
Sar